"Books are not made to be believed, but to be subjected to inquiry. When we consider a book, we must ask ourselves not what it says, but what it means" Umberto Eco
I agree with Karen - the book group pushes me to read outside my comfort zone. This year Mr Pip, Snow Falling On Cedars and What I Loved were up there for me; all three informed and entertained, their authors obviously having expertise/love of a subject they wanted to share through storytelling.
Notes from the Underground surprised me and shocked me. What a character Dostoyevsky created! And finally, The Key proved a great read a second time around. A much deeper piece of fiction than I first thought. Which takes me back to Umbert Eco's quote...
Friday, 18 December 2009
Struggling to find the Key
This month's read was The Key by Junichiro Tanizaki, a short Japanese novel chosen by Andy, the long-suffering token male in the group. The narrative is constructed from the secret diaries of a husband and wife, who each assume the other is reading their diary, and the story revolves around their mutually manipulative sex life. But is it an erotic novel? Some of the women in the group found it deeply unerotic and, not for the first time, we fell into discussion about what sets men and women apart (both in literature and life?).
The book gave us much to talk about, and was, as Andy said, a multi-layered story of old and new Japan, family politics, jealousy, sexual dynamics - even a hint of murder. It was interesting to compare it with last month's read, Memoirs of a Geisha - this was a more modern setting(1950s) and the women had more control, but the contrast between public propriety and a certain alcohol-assisted looseness were similar. Andy said that the novel was most of all 'a vehicle for illuminating a marraige' and we agreed that the themes of deception and avoidance are common to many marraiges. The man's obsession with viewing his wife naked was maybe not that unusual, and June related a Shetland tale of a (drunk?) man mistaking a sow for his wife 'wi her goonie aff'! Someone commented on the loveless attitude to sex, and lack of foreplay - 'but did men do foreplay before 1956?' retorted Andy!
We also took the chance to look back at our reads over the last year. For me, the most rewarding are the ones I probably wouldn't have picked up had I not had to read them for the group. A Perfect Storm and Margaret Elphinstone's The Sea Road were two of those.
The book gave us much to talk about, and was, as Andy said, a multi-layered story of old and new Japan, family politics, jealousy, sexual dynamics - even a hint of murder. It was interesting to compare it with last month's read, Memoirs of a Geisha - this was a more modern setting(1950s) and the women had more control, but the contrast between public propriety and a certain alcohol-assisted looseness were similar. Andy said that the novel was most of all 'a vehicle for illuminating a marraige' and we agreed that the themes of deception and avoidance are common to many marraiges. The man's obsession with viewing his wife naked was maybe not that unusual, and June related a Shetland tale of a (drunk?) man mistaking a sow for his wife 'wi her goonie aff'! Someone commented on the loveless attitude to sex, and lack of foreplay - 'but did men do foreplay before 1956?' retorted Andy!
We also took the chance to look back at our reads over the last year. For me, the most rewarding are the ones I probably wouldn't have picked up had I not had to read them for the group. A Perfect Storm and Margaret Elphinstone's The Sea Road were two of those.
Wednesday, 25 November 2009
Memoirs of a geisha - even better on re-reading
For nearly all the members at November's group meeting, this was our second read of Arthur Golden's Memoirs of a geisha. An exceptional debut novel - we wondered if he'd published anything notable since, and no, he seems to have published nothing at all! But there was general agreement that producing one really good book is better than a long list of mediocre ones any day.
It was most of all the authenticity of the narrative voice that impressed the group: how could it be that an American man could so convincingly write as a Japanese woman? It was dreamy and detailed. It was also a tremendous history lesson, and about a piece of Japanese life that was very little known.
Geishas were basically sold into slavery as children - this description was harrowing - but could attain a level of power and status. Men though, were fully in control and the sexism of Japanese society was notable.
It was most of all the authenticity of the narrative voice that impressed the group: how could it be that an American man could so convincingly write as a Japanese woman? It was dreamy and detailed. It was also a tremendous history lesson, and about a piece of Japanese life that was very little known.
Geishas were basically sold into slavery as children - this description was harrowing - but could attain a level of power and status. Men though, were fully in control and the sexism of Japanese society was notable.
Wednesday, 4 November 2009
Snowbinding!
October's book choice was Snow Falling on Cedars by David Guterson. A "whodunit" set in the 1950s against the background of Japanese-American immigration.
The quality of the prose, the multilayered depth of the plot and the new perspectives it explored meant that Guterson's book was enjoyed by all of the group and universally recommended. His characters were well drawn and had a humanity that you immediately empathised with.
Karen pointed out that the courtroom, which plays such a pivotal role in the novel, is a popular device in American literature/film. Margie thought that this was maybe due to it being one of the cornerstones of American life. Guterson seamlessly moved from story to testimony; handling the movement back and forward in time with deceptive ease.
Many of the group thought that the depiction of snow was especially well rendered and compared it to books such as The Tenderness of Wolves. Janet put forward the idea that the coldness it brought to the town was a metaphor for the effect the death of a local fisherman had on an apparently well integrated community.
A lot of discussion centered around the effect the war with Japan had on many of the characters and how Kabuo felt as a soldier fighting for a country that didn't really accept him. This then broadened out into a wide ranging debate on World War 2 - America's reaction to Pearl Habour, the cost in lives if nuclear bombs hadn't been used to end fighting, Shetland's Role of Honour, Britain's multicultural inheritance following the war and break up of the Commonwealth.
An enjoyable and thought provoking novel.
The quality of the prose, the multilayered depth of the plot and the new perspectives it explored meant that Guterson's book was enjoyed by all of the group and universally recommended. His characters were well drawn and had a humanity that you immediately empathised with.
Karen pointed out that the courtroom, which plays such a pivotal role in the novel, is a popular device in American literature/film. Margie thought that this was maybe due to it being one of the cornerstones of American life. Guterson seamlessly moved from story to testimony; handling the movement back and forward in time with deceptive ease.
Many of the group thought that the depiction of snow was especially well rendered and compared it to books such as The Tenderness of Wolves. Janet put forward the idea that the coldness it brought to the town was a metaphor for the effect the death of a local fisherman had on an apparently well integrated community.
A lot of discussion centered around the effect the war with Japan had on many of the characters and how Kabuo felt as a soldier fighting for a country that didn't really accept him. This then broadened out into a wide ranging debate on World War 2 - America's reaction to Pearl Habour, the cost in lives if nuclear bombs hadn't been used to end fighting, Shetland's Role of Honour, Britain's multicultural inheritance following the war and break up of the Commonwealth.
An enjoyable and thought provoking novel.
Tuesday, 22 September 2009
Felicia's Journey
The group met on the 21st of September to discuss Felicia's Journey by William Trevor. Janet had chosen this book because it is by an excellent writer who provides great attention to detail i.e. Hilditch's small childish hands say a lot about his character.This is a novel of betrayal -Felicia is let down by her family,by her lover and ultimately by Hilditch, whom she initially trusts implicitly. Hilditch lives his life in constant denial -his fantasy life is as real to the reader as his mundane day-to-day existence, which is a life of lost and wasted opportunities. At the end of the book,Felicia achieves a degree of contol over her own life for the first time.
Karen felt that Felicia's father could be kind and caring as well as strict and that he sought only the best for his family.
June found the book creepy and almost unreadable at the start -the unhappy main character seemed one dimentional -but she was pleased that she persevered with it.
Margaret wished that the ending of the book had been more positive, and that Felicia had found a better life than the one she ends up with.
Janet commented that her lack of self esteem made the ending inevitable.
Morag found Hilditch's character fascinating and believable -it made her think of real life characters who were in denial over their actions.
Several of the group commented on the food theme which runs through the book.
Marghie felt this was one of the best books she had read and liked being drawn into the story.
The character of Miss Calligary is essentail to the plot, as she ultimately proves to be Hilditch's undoing,and also provides some much needed humour.
The plot break where the reader is left not knowing Felicia's fate also added to the tension in the story.
Marghie commented on the name Felicia,meaning happiness -were the other characters determined to destroy this?
The group agreed that this was a cleverly written book which had held everyones attention right to the final page.
Karen felt that Felicia's father could be kind and caring as well as strict and that he sought only the best for his family.
June found the book creepy and almost unreadable at the start -the unhappy main character seemed one dimentional -but she was pleased that she persevered with it.
Margaret wished that the ending of the book had been more positive, and that Felicia had found a better life than the one she ends up with.
Janet commented that her lack of self esteem made the ending inevitable.
Morag found Hilditch's character fascinating and believable -it made her think of real life characters who were in denial over their actions.
Several of the group commented on the food theme which runs through the book.
Marghie felt this was one of the best books she had read and liked being drawn into the story.
The character of Miss Calligary is essentail to the plot, as she ultimately proves to be Hilditch's undoing,and also provides some much needed humour.
The plot break where the reader is left not knowing Felicia's fate also added to the tension in the story.
Marghie commented on the name Felicia,meaning happiness -were the other characters determined to destroy this?
The group agreed that this was a cleverly written book which had held everyones attention right to the final page.
Monday, 31 August 2009
A Horticultural Tale of Love, Lust and Lunacy
August's book, chosen by Anne, was the travelogue-cum-investigative "Orchid Fever" by Eric Hansen. It explored the fascination and beauty of these rare flowers together with the world of growers, collectors and exhibitors.
A major part of the book was the role of CITES (the worldwide organisation controlling the movement of rare species of plants and animals) and how they regulate the once free-for-all trade in orchids. Hansen portrays their role as inept, aggressive or obfuscating and there was an air of poacher turned game keeper with many former collectors turning turtle and chasing their partners of old.
Anne hadn't read the book before and although she enjoyed it she felt slightly let down by the quote on the cover claiming it to be laugh out loud funny. The group felt the book did have its humorous moments peppered as it was with interesting, oddball or even extreme characters and I certainly chuckled at a couple of their antics.
Marghie thought that the book was more like a series of articles for a magazine (which was the general consensus), many of us enjoyed different chapters as we felt an empathy with its subject. Karen thought colour plates might have brought the orchids to life a bit more for the reader. The black and white line drawings used for the chapter pages didn't set anyone's pulse racing - as Hansen suggested the form of particular orchids could do to enthusiasts!
Jean brought in Tulip Fever by Deborah Moggach, a fictional book set in 1630s Amsterdam where fortunes were made and lost speculating on tulip bulbs. She felt that the books were similar in many ways. I thought that Eric Hansen's literary style would have suited many different hobbies or interests and each would have thrown up its fair share of characters and interesting stories.
"Stamp Fever" - now there's a title to whet your interest....
A major part of the book was the role of CITES (the worldwide organisation controlling the movement of rare species of plants and animals) and how they regulate the once free-for-all trade in orchids. Hansen portrays their role as inept, aggressive or obfuscating and there was an air of poacher turned game keeper with many former collectors turning turtle and chasing their partners of old.
Anne hadn't read the book before and although she enjoyed it she felt slightly let down by the quote on the cover claiming it to be laugh out loud funny. The group felt the book did have its humorous moments peppered as it was with interesting, oddball or even extreme characters and I certainly chuckled at a couple of their antics.
Marghie thought that the book was more like a series of articles for a magazine (which was the general consensus), many of us enjoyed different chapters as we felt an empathy with its subject. Karen thought colour plates might have brought the orchids to life a bit more for the reader. The black and white line drawings used for the chapter pages didn't set anyone's pulse racing - as Hansen suggested the form of particular orchids could do to enthusiasts!
Jean brought in Tulip Fever by Deborah Moggach, a fictional book set in 1630s Amsterdam where fortunes were made and lost speculating on tulip bulbs. She felt that the books were similar in many ways. I thought that Eric Hansen's literary style would have suited many different hobbies or interests and each would have thrown up its fair share of characters and interesting stories.
"Stamp Fever" - now there's a title to whet your interest....
Monday, 3 August 2009
Colin Cotterill - recommended read
This year, I got the chance to be a judge again for the Crime Writers Association Dagger in the Library Award. This involved reading an awful lot of crime books throughout the Spring, then meeting my fellow judges for a long lunch in London, where we thrashed out our shortlist. Writers for this Dagger are nominated by libraries and book groups, and all the judges are librarians. It's a good category to read as it's for writers who have already produced a few books, but are still 'up and coming', and every year we discover some gems.This year's winner was the wonderful Colin Cotterill, who has set a series of books in Laos, 1975. His hero is a 75-year old state coroner. Not the usual recipe for a crime book, but the setting is very interesting and the main character's sardonic wit really makes the books special. Me and some of the other judges went to the awards ceremony in London in July. We wern't expecting our winner to be there, as he lives in Thailand, so we were thrilled when he appeared from the back of the room to pick up his prize. And he turned out to we an all-round nice guy into the bargain - here's a picture of me and my fellow judges mobbing him. (He's the one at the back holding his award).
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